Here We Are

Here we are wishes to explore the relation between europeans and the refugees coming recently from area in conflict (Sub-Saharan Africa, Horn of Africa, Syria, Irak and Afghanistan). The project will provoke an artistic and civic space for an alternative dialog based on creating “common”.

logo here we areHere we are will be innovative in designing a framework that will escape from a repeated pattern of goodwill versus intolerance. Beyond mutual understanding, the project focuses on “learning together” and “creating together” as an example of a possible future.

This dialogue uses vocabulary ranging from arts, craft, media, technology and sciences. And from all communities involved, Here we are will gather and collaborate with artists, teachers, researchers, community leaders, public figures, students and youth groups.

The partners organisations involved will be based in the different countries associated to the project. Together, they will generate a trans sectoral consortium made of art companies, NGOs, educational organisations, private foundations, public entities and media. The experience will be shared to the european audience through a web platform linked to the social networks. This platform will also remain after the project as a reference for refugees and migrants projects in Europe.

As a final objective, this project wishes to engage participants and through them all the communities involved to reconsider their relation to the Other and create a dynamic space for dialog, learning and creation. The initiators wish to explore alternative pathways that will be shared with a large european audience. As a result, we hope that Here we are will contribute to a more positive approach on what the refugee crisis may actually trigger for Europe. Perhaps new dynamics in our creativity and a higher stimulation for building common addressed to the european project in progress.


A cooperation project between Greece, Italy, Turkey, Germany, Portugal and France

In response to Creative Europe Refugee Integration Call

Coordination: La Transplanisphère (Fr),  Co organisers: Teatro Rigodon (It), Eccom (It,) ODC Ensemble/Vyrsodepseio (Gr), Anadolu Kultur (Tr), Ex Quorum (Pt), Des Organismes Vivants (Fr), KJT Theater Dortmund (De), Forderband Kultur Initiative/Theaterhaus Berlin Mitte  (De)

Pace / performing arts for crisis in Europe

PACE Project Performing Arts for Crisis in Europe is a Learning platform for the European cohesion

The project involves : La Transplanisphère (France, coordinator) – The International Theatre (Italy) – Visões Úteis (Portugal) – Project Art Centre (Ireland) – Teatermaskinen (Sweden) – Mezzanine Spectacle (France) in cooperation With Panteion University Drama Center (Greece)

The PACE Learning Partnership associates theatrical organisations from Greece, Italy, Portugal, Ireland, Sweden and France. It has been designed in the context of the European Debt Crisis.

The participants met in Athens (Panteion University Drama Center) in February 2012 to finalize the project together through a preparatory visit.The involved organizations share an interest in questioning political and geopolitical issues in their projects, especially through workshops for adults. Continue reading

Rec>ON (reconciliation)


European artistic and civic cooperation project between Turkey, Armenia, Germany and France

How to give an artistic dimension to a very sensitive european debate, usually handled by the politic field?
How to allow citizens from 4 different countries to appropriate together the reconciliation question and transform it in an artistic piece, opened an stimulating?

The project aim is to associate artists, young people and representatives of the civil society from Armenia, Germany, Turkey and France. They operate a common reflection through a multidisciplinary stage performance, associated with actions involving the public (workshops, debates, meetings…). With this common experience, citizens from Europe and Europe frontiers try to cast off geographical, historical or psychological limits to question together the reconciliation idea.


The project is twofold:

• a play involving artists symbolizing all four countries will be written, staged and performed, using not only theatre but music and video art. The play is written during the process, using the four languages. It is rehearsed then performed in Yerevan (Armenia), before touring in the three other partner countries.
• Each stage of the project is linked to workshops, personalities interviews and a public debate. Bridges are built up between the performers and the audience partly through workshops under the supervision of the artists involved. In order to create a dialogue with a wider audience, the project works with partners in each country, such as high schools and universities.
• The two sides of the project are constantly intersect during its creation. A documentary film is shot to follow the project different stages.

It is not indispensable to always have the same point of view ; no one can prevent us from becoming more intelligent.
Konrad Adenauer

None of us play anything else than the chords we already know. Why could we not rebuild our common memory by transforming this monologue into a dialogue?
Hrant Dink

Itw Cengiz Aktar / 4. Reconciliation / webdoc… par brunofrey

Itw Sevak Artsruni / 4. Future / Webdoc Rec>ON par brunofrey

Itw Christoff Bleidt / The Descendants and the… par brunofrey

Making a shared future possible The first half of the twentieth century witnessed Europe’s involvement in the most destructive wars in history. But the second half has shown us a new vision, with for the first time the creation of a community of countries capable of exchanging ideas, building new bonds and moving forward together. One of the key words of this process was reconciliation. This reconciliation involved countries barely recovering from the war, still torn asunder by civil conflicts: it was about accepting the other and our differences to create a better future. The Franco-German reconciliation is often thought of as the basis of the European Union, and today’s generation of Europeans take it for granted. Need we however remind ourselves just how difficult to achieve such an alliance was? All throughout the process, citizens took the initiative and created new cooperations, especially in the domains of education and culture.

About The Descendants / Rec>ON webdoc par brunofrey

These actions became catalysers for innovating ways of working together, often independently from political decisions. Since its creation, every time the European Union integrates a new country, the question of how the different nations composing the Union interact becomes essential. In the case of the integration of Turkey in the Union, relations between France and Turkey, Germany and Turkey, are at the heart of a heated debate, since these countries share a rich political, cultural and migratory history. By extension, the question of the relationship of Turkey to its neighbours must be asked, and most notably with Armenia, since reconciliation between these two countries has just been launched. It is still an extremely complex situation, since the political and economic goals are very important, but it has never evolved as much as during these last few years.

Turkey, Armenia, Germany, and France: four countries with complex, special bonds; four points of view on the idea of reconciliation, on the means necessary to protect or provoke it; a common realisation that without reconciliation, no shared future is possible. It is not necessary to always have the same point of view ; no one can prevent us from becoming more intelligent.


World Crisis Theatre

World Crisis Theatre proposes a meeting of professional artists and young people coming from different countries in Europe. Their common goal is the creation of two plays dealing with the 2008 financial crisis and the present one, together with organising public activities.

The project is inspired the The Power of Yes, a play by British playwright David Hare. The Power of Yes was an investigative theatrical documentary at the heart of the financial crisis as it was lived in Great Britain. The global 2008 crisis has become a sort of turning one and by turn the European citizens are either victims or judges of their neighbours’ crisis. It is one of the project’s strength to enable the confrontation of the points of view coming from the different participating countries, a crossed vision between the peoples. Continue reading

Collective Canal

A local network of performing arts company based in “grand Paris” area and sharing a project of workshops.
This collective started its activities in Feb. 2015 with several test workshops. Now, with the support the Paris Region (Ile de France) – Citizen’s Projects, it is made of 7 worlskops taking place all along the Canals (Saint Martin, Ourcq, Saint Denis) from Sept. 2015 to July 2016. The workshop will involve several disciplines: writing, theatre, circus, art in public space, video…
See the dedicated website (in french) for details.

Stuff happens



2008-2010 With the creation of Stuff Happens by David Hare, the company worked on the period from 9.11 to Iraq in terms of relations between the Western leaders. Premiered in Paris (CDN Nanterre-Amandiers) then in the National Popular Theatre (Villeurbanne-Lyon). The play has been shoot by National TV France 2. Bruno Freyssinet hosted 25 workshops and courses conducted in Paris and Lyon regions for schools, universities and adults amateurs workshops. The experiment was concluded by What Diplomacy For Europe?, a meeting of 50 high school students from Poland, Czech Republic, Germany, Spain and France to debate and create a performance on the future of European diplomacy (with the support of French Ministry of Education).



Stuff happens

Texte David Hare
Texte Français William Nadylam
Mise en scène Bruno Freyssinet et William Nadylam

Lumières   Pascal Noël
Costumes   Olga Bouridah
Assistante à la mise en scène   Sarajeanne Drillaud
Stagiaire assistanat mise en scène   Perrine Malinge
Stagiaire assistanat vidéo   Arthur Navellou
Stagiaire Actions   Julie Grimoud
chargé de production   Daniel Migairou
coordination des actions   compagnie Barbara Thoma

Baptiste Amann   Daniel Berlioux   Olivier Brunhes
Cécile Camp   Alain Carbonnel   Arnaud Décarsin
Aïssatou Diop   Philippe Duclos   Greg Germain
Fabrice Michel   Eric Prat   Alain Rimoux
Vincent Winterhalter   Nathalie Yanoz

More pictures here



David Hare is represented by  Agence MCR, Marie Cécile Renauld, Paris
with Casarotto Ramsay Ltd, London.

Co-production : La Transplanisphère / Théâtre Nanterre-Amandiers / TNP-Villeurbanne / Chien Vert ! With the support of la DRAC Ile de France and DICREAM / Ministère de la Culture et de la Communication. With the participation Jeune Théâtre National, de l’ENSATT et du FIJAD

Avec l’aide du Rectorat de l’Académie de Versailles et d’ARCADI pour les actions artistiques en Ile de France. En partenariat avec le lycée professionnel Jules Verne de Sartrouville et l’IEP Sciences Po Paris.

Polart Circle




Polart Circle initiates a partner’s platform at the European scale, associating art companies, scholars, universities, civil society organisations and youth integration organisations.
Activities gathers artist-educators, emerging artists, experts and citizens interested in the relationship between art and politics.
Led on a three year period (2016-2019), the activities consist in workshops, researches, artist residencies, production of Moocs and organization of events.
During this experience, participants collaborate to conceive a methodology formalising the artistic creation process, associating art and politics. Participants then disseminate this methodology throughout Europe: promotion weekends and online publication of video material, like Moocs.

The thematic agenda considers each year as a “season”, throught the angle of one discipline:
season 1 (2016-2017) – Writing / exploring art and politics through a writing experience
season 2 (2017-2018) – Staging / exploring art and politics through designing and staging
season 3 (2018-2019) – Acting / exploring art and politics through characters and performing

POl Map EN


Polart Circle as presented on Sciences Po University website.

One Land Many Faces

visit the dedicated website

OLMF visuel Sept15 copie

How to question european identity through an international experience made of workshops and performances ? During summer 2015, a bunch of european artists representing several of the many faces of the “old continent” will tour in Spain, UK, Germany, Belgium, France and Hungary, concluding a 2 years experience made of writing workshops, experimental rehearsals and public workshops in Brussels, Berlin, Budapest, Swansea, Vittoria Gasteis and Paris.

A french german woman from Berlin, a belgian women with origins from Hong Kong, a spanish Basque man, a british welshs woman, a french man with congolese roots and an hungarian woman from Budapest.
This is not a joke. It’s the One Land Many Faces perfomers at work together with a french- belgian-austrian artistic team. What is their aim? To question with the audience what make them europeans? How they may tune their identities? How to understand each other? How to create together?

/// trajectories on Europe ///

One Land Many Faces commissioned 5 authors from South Korea, United States, Hungary, Belgium and Germany. Gathered in Berlin in December 13’, they crossed their sight over Europe through a first writing workshop. Then, they habe been visiting the project partners in the Basque Country, Hungary and Wales to draw new inspiration.